Mithra Mandali Movie Review

Cast: Priyadarshi, Niharika NM, Vennela Kishore, Satya, Vishnu O.I., Rag Mayur, Prasad Behara, VTV Ganesh
Director: S. Vijeyendar
Producers: Kalyan Manthina, Bhanu Pratap, Dr. Vijeyendar Reddy
Music: R.R. Dhruvan
Cinematography: Siddharth S.J.
Presented by: Bunny Vas
Release Date: October 16, 2025

Introduction

After one success (Court) and one failure (Saranga Pani Jatakam), actor Priyadarshi returns this Diwali with Mithramandali, a comedy that tries to recreate the success of his earlier hit Jathi Ratnalu. That film worked because of its crazy but engaging humor. Director S. Vijeyendar follows a similar route, aiming for a “mindless comedy.” But does Mithramandali deliver the same entertainment or end up as a disappointment? Let’s find out.

Story

The story takes place in a fictional town called Junglee Pattana, where four aimless young men — Chaitanya (Priyadarshi), Abhay (Rag Mayur), Satwik (Vishnu), and Rajeev (Prasad) — spend their days roaming around doing nothing productive. Their lives take a turn when Swechha (Niharika NM) enters their group and falls in love with one of them. Her father, Narayan (VTV Ganesh), is a caste-obsessed local politician contesting in elections. When his daughter elopes during his campaign, he hides the truth and files a kidnapping case. This brings in SI Sagar (Vennela Kishore), who begins chasing the so-called kidnappers.

The rest of the movie revolves around who Swechha actually loves, whether her friends manage to unite the lovers, and how Narayan reacts when he discovers the truth. The setup promises comedy and chaos, but the execution falls flat.

Screenplay and Direction

A mindless comedy doesn’t require a great story, but it does require strong humor and clever writing. That’s exactly what made Jathi Ratnalu and Bollywood’s Golmaal series successful. Unfortunately, Mithramandali fails to find that balance. The story lacks freshness, and the narrative struggles to hold attention.

The first half moves slowly with silly antics from the four friends, unnecessary caste-based drama, and an unconvincing love track. Despite the presence of multiple comedians, there is hardly a single scene that genuinely makes the audience laugh. Only Satya manages to bring some energy during the interval sequence.

The second half focuses more on Satya’s comedy and the police chase, ending in a predictable climax. The movie tries hard to be funny but ends up being forced and repetitive.

Performances

Priyadarshi looks completely wasted in a poorly written role. His character neither adds depth nor humor to the film. Niharika NM serves as mere eye candy without much scope for performance. Satya is the only saving grace — his natural comic timing brings a few genuine laughs. Vennela Kishore, Rag Mayur, and Prasad Behara try their best but are let down by weak writing. Even the surprise cameo by Brahmanandam in a song doesn’t help.

Director S. Vijeyendar seems unsure how to use such a talented cast. The screenplay lacks rhythm, and his direction fails to create engaging comedy. What could have been a fun, youthful entertainer ends up as a dull and outdated attempt at humor.

Technical Aspects

Music by R.R. Dhruvan is below average, with songs and background score failing to lift the mood. The cinematography by Siddharth S.J. is adequate but uninspired. Writing and editing are both weak, with several dragged scenes and forced humor. Even though the film is backed by three production houses, the visuals clearly show budget limitations and production compromises.

Final Verdict

Priyadarshi had earlier said, “If you don’t like this movie, don’t watch my next one.” Unfortunately, that statement might just come true. Mithramandali is a prime example of how not to make a comedy film. Director S. Vijeyendar takes the concept of “mindless comedy” far too literally, delivering a movie that is truly mindless but not funny.

This film stands as a reminder that senseless humor without fresh writing or strong performances can quickly turn into a tiresome experience. Mithramandali ends up being a missed opportunity for everyone involved.

Telugurajyam Rating: 2/5

Verdict: A wasted opportunity — mindless writing, zero laughs.